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	<title>Comments on: Choosing Lenses for Concert Photography</title>
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	<link>http://www.ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/</link>
	<description>Music Photography, band portraits and promos from professional music photographer Todd Owyoung</description>
	<lastBuildDate>Thu, 09 Feb 2012 20:32:07 +0000</lastBuildDate>
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		<title>By: Manuel Casanova</title>
		<link>http://www.ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/#comment-482657</link>
		<dc:creator>Manuel Casanova</dc:creator>
		<pubDate>Sun, 05 Feb 2012 17:23:13 +0000</pubDate>
		<guid isPermaLink="false">http://ishootshows.com/?p=263#comment-482657</guid>
		<description>Hey Todd, so here goes my own lenses history:
So when I got my camera it came with an awful 18-55. I also had a 50mm 1.8, a 28mm 2.8 and a 135mm 2.8 lying around (all manual focus lenses) and I started shooting shows with them (pretty hard to manual focus on a D5000). After a while I got a 55-200 for something like 30bucks but not for concert photography. Then I got a Tamron 17-50 which is awesome and a samyang 8mm fisheye for my tiny clubs/no restrictions/flash allowded punk hardcore gigs (im always getting my face kicked by some stagedivers and headwalkers... but its worth it). Right now i&#039;m deciding if I should go with a 35mm 1.8 or a 30mm 1.4 (the Sigma one... I&#039;m not sure because I was told it is really soft and hard to focus) for my lightless venues since the 50mm is a little short and it is MF... Then I&#039;ll invest on a Nikon 80-200 or a sigma 70-200 (or a new body but since the D400 or D7100 might come out during 2012/13 I can wait).
Well thats it</description>
		<content:encoded><![CDATA[<p>Hey Todd, so here goes my own lenses history:<br />
So when I got my camera it came with an awful 18-55. I also had a 50mm 1.8, a 28mm 2.8 and a 135mm 2.8 lying around (all manual focus lenses) and I started shooting shows with them (pretty hard to manual focus on a D5000). After a while I got a 55-200 for something like 30bucks but not for concert photography. Then I got a Tamron 17-50 which is awesome and a samyang 8mm fisheye for my tiny clubs/no restrictions/flash allowded punk hardcore gigs (im always getting my face kicked by some stagedivers and headwalkers&#8230; but its worth it). Right now i&#8217;m deciding if I should go with a 35mm 1.8 or a 30mm 1.4 (the Sigma one&#8230; I&#8217;m not sure because I was told it is really soft and hard to focus) for my lightless venues since the 50mm is a little short and it is MF&#8230; Then I&#8217;ll invest on a Nikon 80-200 or a sigma 70-200 (or a new body but since the D400 or D7100 might come out during 2012/13 I can wait).<br />
Well thats it</p>
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		<title>By: Paul Crutchley</title>
		<link>http://www.ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/#comment-480158</link>
		<dc:creator>Paul Crutchley</dc:creator>
		<pubDate>Tue, 10 Jan 2012 17:00:55 +0000</pubDate>
		<guid isPermaLink="false">http://ishootshows.com/?p=263#comment-480158</guid>
		<description>Hi Todd,

Thank you for help, much appreciated.


Best regards
Paul</description>
		<content:encoded><![CDATA[<p>Hi Todd,</p>
<p>Thank you for help, much appreciated.</p>
<p>Best regards<br />
Paul</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Todd</title>
		<link>http://www.ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/#comment-480136</link>
		<dc:creator>Todd</dc:creator>
		<pubDate>Mon, 09 Jan 2012 16:30:24 +0000</pubDate>
		<guid isPermaLink="false">http://ishootshows.com/?p=263#comment-480136</guid>
		<description>Hi Paul, 

I think that, given the right conditions, almost any lens could be used successfully for music photography. The Tamron 28-300mm might be suitable for bright, daylight concerts. I don&#039;t think it would be ideal for indoor venues with stage lighting, however.</description>
		<content:encoded><![CDATA[<p>Hi Paul, </p>
<p>I think that, given the right conditions, almost any lens could be used successfully for music photography. The Tamron 28-300mm might be suitable for bright, daylight concerts. I don&#8217;t think it would be ideal for indoor venues with stage lighting, however.</p>
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	<item>
		<title>By: Paul Crutchley</title>
		<link>http://www.ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/#comment-480083</link>
		<dc:creator>Paul Crutchley</dc:creator>
		<pubDate>Sun, 08 Jan 2012 19:53:05 +0000</pubDate>
		<guid isPermaLink="false">http://ishootshows.com/?p=263#comment-480083</guid>
		<description>Hi Todd, can a Tamron 28-300mm 3.5-5.6L be used succesfully for live music photography? I know it has had some bad press, but would welcome your opinion. Thank you.</description>
		<content:encoded><![CDATA[<p>Hi Todd, can a Tamron 28-300mm 3.5-5.6L be used succesfully for live music photography? I know it has had some bad press, but would welcome your opinion. Thank you.</p>
]]></content:encoded>
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	<item>
		<title>By: Rochester Videographer</title>
		<link>http://www.ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/#comment-479692</link>
		<dc:creator>Rochester Videographer</dc:creator>
		<pubDate>Sun, 01 Jan 2012 23:41:34 +0000</pubDate>
		<guid isPermaLink="false">http://ishootshows.com/?p=263#comment-479692</guid>
		<description>Thanks.  We do wedding videography, and are upgrading to DSLR&#039;s soon. This info is very helpful as we plan the right lenses to use for low light cinematography.</description>
		<content:encoded><![CDATA[<p>Thanks.  We do wedding videography, and are upgrading to DSLR&#8217;s soon. This info is very helpful as we plan the right lenses to use for low light cinematography.</p>
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