Since I hadn’t posted the Wilco shots yet, I figured that just having photographed Son Volt was as good of a reason as any.

I would have liked to photographed Kotche, but the front of the stage was lined with monitors. Normally the stage at the venue, the Verizon Wireless Amphitheater, is pretty reasonable, but the added height of the speakers didn’t help us here.

I favor the D3. All things being equal, I prefer the ergonomics, dual CF slots, and I simply trust the AF just a little bit more. So, I put what I expect will be my main lens on the D3 and put the supplemental lens on the D700. Most of the time that means that that 24-70mm is on the D3 and the 70-200mm is on the D700. That was reversed for this show.

very nice shots, great sense of detail and spaciousness. too bad the pit was too crowded to get a decent line on Kotche…he’s a great drummer and a fun one to shoot (here’s a shot from this summer: http://narlus.zenfolio.com/img/v4/p1018848799-4.jpg)

Todd, do you find yourself favoring the D3 or D700? as they are both full-frame, how do you decide which lens to mount to which body, or does it not matter at all?