11-years after their last show together, New World Spirits reunited on the stage of the Pageant in a tour de force performance that thrilled their die-hard fans. With the audience singing back with every song during the two and a half hour concert, this was a party a decade in the making, and no one seemed to leave disappointed.
Photographer’s Notes:
This was a fantastic show to photograph. The production was on, the band was tight, the crowd was buzzed, and it was basically a big party atmosphere throughout the entire show.
On the last note, exhibit A:
During the entire show, fans kept a steady stream of shots coming toward the stage. All this positive energy contributed to what I’d consider the ideal atmosphere for a music photographer. I know that I always deliver when there’s an infectious vibe at a gig.
For this show, I relied primarily on the 24-70mm f/2.8 and 70-200mm f/2.8 from Nikon, and split my time between the photo pit and the stage (about 70-30, respectively).
The production on this show was great, but lighting wasn’t super bright, so I shot mainly between ISO 1600 and 3200 with my f/2.8 zooms. In addition to working with the stage lighting, I set up a pair of Nikon SB-900 speedlights to supplement the stage cans. While I worked with the stage lights for the majority of my shooting, the flashes were a nice option to have when they provided the look I wanted.
One interesting part of the stage treatment for this gig was the abundance of white for the look, with a white stage floor, coverings over the monitors, and a white back drop. For the deep colored treatments, this created a great wrap-around kind of fill.
Guitarists Danny Drabb and Mike Kociela were both behind a pair of fat monitors, which proved to be a nice challenge. For many shots of Danny, I found myself wedged in between the monitors to get up close and personal with his guitar face.
End Notes:
Big thanks to Mike, J, Danny, and Steve of New World Spirits, as well as to Amy for hooking me up with them. I’m hoping 2010 has good things in store for these guys and that this reunion show is just a launching pad.
As an aside, anyone want to guess how many images above actually used flash (aside from the backstage portrait)?
This entry was posted on Tuesday, January 19th, 2010 at 6:21 pm and is filed under Music Photography and tagged with concert photography, images, music photographer, new world spirits, pageant, photos, st. louis. You can follow any responses to this entry through the RSS 2.0 feed.
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A reunion show 11-years in the making, and fans singing along to every word showed it. I couldn't help but grin. http://ow.ly/1nhRDl
All great shots, but I especially love the one with the flowers in it.
Hey Craig,
Thanks for for the comment. Yeah, the band had a ton of flowers on stage and threw them into the audience at the start of the show, but there were still a lot on stage, too.
I must try out this remote flashes onstage business sometime.
From the looks of it i can only see it used in one shot above. But surprise me.
Hey Dan,
Nice to hear from you. It’s not always the best option, but flashes onstage can be a nice safety. The setup can be especially nice to help cut through/supplement heavily atmospheric effects. This photo set of Semi Precious Weapons at the Gramercy Theater is one example of that.
A reunion show 11-years in the making, and fans singing along to every word showed it. I couldn't help but grin. http://ow.ly/1nhRDl
Nice shots as always Todd. I’ll bite… I’m going to guess you used it on four of the shots above. Or is it a trick question? ;)
Hey Paul,
Thanks for the comment. As for the number of flash photos in the above selection, it’s not a trick. Nothing like catchflash in the above. I’ll come back soon with the answer.
backstage potrait using 1 flash right?
Hey Ardianto,
The backstage portrait was shot with just one speedlight, you’re right. One SB-900 shot into my DIY beauty dish (you can see other examples made with the Chinatown Special Mark II here).
OK, as for the answer to the number of live shots that used strobe for the main selection I posted inline, the answer is probably one.
It’s the image second to the end before the photographer’s notes – you can see the white light of the speedlight. So, Dan wins.
Other than that, I believe all the other images were made with stage lighting. So, even with the option of using speedlights, sometimes (a lot of the time), stage lighting simply wins out.