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Portraits: Toryn Green

Portaits of singer Toryn Green

On tour with Apocalyptica, I caught up with singer Toryn Green for a quick shoot just before he took the stage with the Finish metal group. Lighting setup after the jump.

Portaits of singer Toryn Green

Photographer’s Notes:

This image was shot at 24mm and f/4 with the Nikon 24-70mm f/2.8 at the D3‘s base ISO 200 and 1/100.

Lighting:

This shot was lit by two Nikon SB-600 speedlights fired into two 45″ reflective umbrellas, positioned on either side of Green for a nice soft cross-lighting effect.

Cross-lighting is a simple and effective way to light, and it can create dynamic effects on the subject.

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About the author: Todd Owyoung is an internationally published music photographer specializing in concert photography and band portraits. He also grills a mean steak.

Contact Todd for image licensing and assignments wherever the rock show lives. You can also get in touch with Todd via Twitter.

This entry was posted on Monday, June 28th, 2010 at 9:46 pm and is filed under Music Photography and tagged with , , , , , , . You can follow any responses to this entry through the RSS 2.0 feed.

7 Responses to “Portraits: Toryn Green”

  1. Jason Stoff says:

    Nice shot – love the deep blacks and the fade-off of the light on the ground. Really dynamic.

  2. Todd Owyoung says:

    A simple two-light setup & cross-lighting with singer Singer Toryn Green w/ Apocalyptica http://bit.ly/dBqPTR

  3. RT: @toddowyoung: A simple two-light setup & cross-lighting with singer Singer Toryn Green w/ Apocalyptica http://bit.ly/dBqPTR

  4. roby akbar says:

    RT @toddowyoung: A simple two-light setup & cross-lighting with singer Singer Toryn Green w/ Apocalyptica http://bit.ly/dBqPTR

  5. Roxanne says:

    i was wondering, what time of the day did u shoot this? I asked because of the light at the ceiling. Was this also caused by ur speedlight? Sorry, i had to ask coz it is my fave part of the photo. Nice work, todd…as always =)

    • Todd says:

      Hey Roxanne,

      This was shot in the late afternoon with an overcast sky, if I recall, so that’s natural daylight you see in the ceiling.

      Thanks for the question.

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