Following Hatebreed, All That Remains continued the onslaught, priming the crowd for the finishing blow by Five Finger Death Punch. While All That Remains stage treatment was largely the same as Hatebreed's, the white strobe-like white light from the back of the stage was kicked up an appreciable degree, as was the lighting in between songs, both of which were very welcome.
- Nikon D3
- Nikon D700
All That Remains received much of the same lighting that Hatebreed had for their set, but just a little bit more of everything, particularly the white light.
I've always maintained that if there are only 10 seconds of good lighting during a three-song shoot, you have to make the most of at small window – even if it's spaced out among 50 distinct moments while the lights are flaring up. This approach was never more true than for shows like this one.
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