Photos: All That Remains @ Family Arena

 (Todd Owyoung)

Following Hatebreed, All That Remains continued the onslaught, priming the crowd for the finishing blow by Five Finger Death Punch. While All That Remains stage treatment was largely the same as Hatebreed's, the white strobe-like white light from the back of the stage was kicked up an appreciable degree, as was the lighting in between songs, both of which were very welcome.All That Remains performing at the Family Arena in St. Charles, MO support of Five Finger death Punch on october 31, 2011. (Todd Owyoung)

 (Todd Owyoung)

 (Todd Owyoung)

 (Todd Owyoung)

 (Todd Owyoung)

 (Todd Owyoung)

 (Todd Owyoung)

 (Todd Owyoung)  (Todd Owyoung)  (Todd Owyoung)

Photographer's Notes:

Cameras Used:

  • Nikon D3
  • Nikon D700

Lenses Used:

All That Remains received much of the same lighting that Hatebreed had for their set, but just a little bit more of everything, particularly the white light.

I've always maintained that if there are only 10 seconds of good lighting during a three-song shoot, you have to make the most of at small window – even if it's spaced out among 50 distinct moments while the lights are flaring up. This approach was never more true than for shows like this one.

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My Camera DSLR and Lenses for Concert Photography

Nikon D850:
I use two Nikon D850 for my live music photography. A true do-it-all DSLR with amazing AF, fast response, and no shortage of resolution.
nikon-24-70mm-f28-lens-squareNikon 24-70mm f/2.8:
For most gigs, the 24-70mm is my go-to lens. Exceptional image quality at wide apertures and super-functional range.
Nikon-70-200-squareNikon 70-200mm f/2.8 VR:
A perfect pair to the Nikon 24-70mm f/2.8, I can basically shoot any job with the midrange and this lens. Superb image quality.
nikon-14-24mm-f28-lens-squareNikon 14-24mm f/2.8:
Ultra-wide perspective, ridiculously sharp even wide open at f/2.8. I love using this lens up-close and personal, where it excels.
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