A Rocket To The Moon's set opening for Never Shout Never was a hazy, dimly lit performance. The perfect fit for a couple f/1.4 primes.
- Nikon D3
- Nikon D700
Dim, hazy lighting – the perfect opportunity to switch to a pair of f/1.4 primes. While fast primes have their own faults, they can excel at rendering this kind of lighting and giving a unique look to dimmer stage treatments.
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