Opening up for Awolnation, The Epilogues laid down a high energy set, complete with a pretty convincing cover of Filter's “Hey Man, Nice Shot.”
- Nikon D3
- Nikon D700
Overall, the Epilogue's set was pretty dimly lit, but with enough bright spots to shoot very comfortably with the Nikon D3 and D700. Of course, having no song limit is always a bonus, too, especially for opening bands who might get shorted on the lighting department.
Due to a stack of monitors along almost the entire front of the stage, this was more of a telephoto shoot than anything. Even in a club like Pop's, with its low and small stage, this sort of thing can happen. Still, nothing that the Nikon 24-70mm f/2.8 and 70-200mm f/2.8 couldn't handle.