Photos: Slayer @ Mayhem Fest 2012
Slayer are just one of those legendary metal bands. They’re one of those bands that don’t really “do” all that much on stage in terms of over-the-top showmanship, but who don’t really need to, either. Just give me Kerry King rocking a power stance and a little haze on the stage, I’m happy.
- Nikon D3
- Nikon D700
Slayer always have pretty moody lighting, with lots of colored accents. While the band themselves don’t move around a tremendous amount, one of the challenges I enjoy with photographing Slayer is that the lighting shifts enough to make things interesting.
Case in point was one moment in the first three songs when Kerry King came to the front of the stage (or as close as he ever did, anyway) and was blasated from above with intensely bright white light.
For me, this was a moment that could have been a nightmare. Normally with live music photography, a huge dynamic range isn’t all that much of a problem, at least not on the performers themselves. This scene was a little different.
While traditional wisdom in photography with negative film has been to expose for the shadows and to print for the highlights, digital is always a little different. And scenes like this are different still.
Personally, for a scene like this, all I really care about is the face of the subject, and in this case, Kerry King’s handsome mug. All the highlights can be massively blown as long as the exposure on the face holds detail for me.
My Camera DSLR and Lenses for Concert Photography
I use two of the Nikon D800 for the majority of my work. High resolution, excellent high ISO in a robust but still compact body.
Nikon 24-70mm f/2.8:
For most gigs, the 24-70mm is my go-to lens. Exceptional image quality at wide apertures and super-functional range.
Nikon 70-200mm f/2.8 VR:
A perfect pair to the Nikon 24-70mm f/2.8, I can basically shoot any job with the midrange and this lens. Superb image quality.
Nikon 14-24mm f/2.8:
Ultra-wide perspective, ridiculously sharp even wide open at f/2.8. I love using this lens up-close and personal, where it excels.