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Photos: In Flames @ The Pageant

In Flames performing at the Pageant in St. Louis on November 7, 2012 in support of Lamb of God. (Todd Owyoung)

Swedish metal mainstays In Flames brought their A-game to the Pageant in support for Lamb of God, as well as a fantastic lighting treatment to compliment the high energy set. Here’s the proof.

Atmosphere during In Flames's performance at the Pageant in St. Louis on November 7, 2012 in support of Lamb of God. (Todd Owyoung) In Flames performing at the Pageant in St. Louis on November 7, 2012 in support of Lamb of God. (Todd Owyoung) In Flames performing at the Pageant in St. Louis on November 7, 2012 in support of Lamb of God. (Todd Owyoung) In Flames performing at the Pageant in St. Louis on November 7, 2012 in support of Lamb of God. (Todd Owyoung) Atmosphere during In Flames's performance at the Pageant in St. Louis on November 7, 2012 in support of Lamb of God. (Todd Owyoung) In Flames performing at the Pageant in St. Louis on November 7, 2012 in support of Lamb of God. (Todd Owyoung) In Flames performing at the Pageant in St. Louis on November 7, 2012 in support of Lamb of God. (Todd Owyoung) In Flames performing at the Pageant in St. Louis on November 7, 2012 in support of Lamb of God. (Todd Owyoung) In Flames performing at the Pageant in St. Louis on November 7, 2012 in support of Lamb of God. (Todd Owyoung) In Flames performing at the Pageant in St. Louis on November 7, 2012 in support of Lamb of God. (Todd Owyoung) In Flames performing at the Pageant in St. Louis on November 7, 2012 in support of Lamb of God. (Todd Owyoung)

Photographer’s Notes:

Cameras Used:

Lenses Used:

While I have to say that I miss Anders Fridén’s dreads and all their hairwhipping glory, In Flames still puts on a fantastically photogenic performance that ‘s full of energy.

For this show, the Nikon 24-70mm f/2.8 was just about perfect. The Nikon 14-24mm f/2.8 did a little accent work just to mix up the focal lengths for this set, but the monitors at the front of the stage prevented a too much ultra-wide action.

Lighting for this show was pretty short duration and a little dark save the blinders from the back, but nothing that ISO 3200 on the D3 and D700 couldn’t handle.

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